Smith College's Moodle
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- Instructor: Naila Moreira
- Instructor: Naila Moreira

This is a writing intensive course that focuses on the way in which we are persuaded and the ways in which we can persuade others.
We'll spend time refine our own arguments, examining the use of hope and fear in political rhetoric, and in advertising, and we'll write a lot. It should be fun.
- Instructor: Morgan Sheehan Bubla
- Instructor: Naila Moreira
- Instructor: Patricia Stacey
Homework for Thursday March 22
1. Read, annotate and come prepared to discuss: "The Black Family and Feminism: A conversation with Eleanor Holmes Norton," by Cellestine Ware, pp. 54-55 in our reader.
2. Read, annotate and come prepared to discuss "A Bunny's Tale" by Gloria Steinem, pp. 57-62 in our reader.
3. IMPORTANT: Due on Friday Night: We will be doing peer critiques of each other's final draft of the analytical paper. For directions on how to do the peer critique, go to the assignment named "Peer Critique" in Moodle for this week.
4. Once you have turned in your Analytical Paper Version II, please cut and paste it into our course google document, below: Put it on top of the document. You will be critiquing the essay directly below yours. Leave your name on your paper. They are all distinctive and worthy of sharing!
https://docs.google.com/document/d/1R04n-x2twurdTPOtVF4y93bHezRmc3bt7Fh-lZBcsDc/edit?usp=sharing
5. Due by Monday Midnight: Resubmit your edited draft of the paper. If it has already been graded, you will have a chance to improve your grade! If it hasn't been graded, you still will be advancing your grade by improving what you turn in.
- Instructor: Patricia Stacey
- Instructor: Naila Moreira
- Instructor: Lily Gurton-Wachter

This creative writing course gives us opportunities to experiment with multiple genres of writing. We will read, write, and discuss poetry, fiction, and creative nonfiction from a writer's point of view. This means we’ll immerse ourselves in the process of generating new work in most classes and practice strategies that will structure the ideas and feelings you’ll want to bring to the page.
At this early stage, you don’t have to worry about whether you’re a poet, novelist, essayist, and so on. This course introduces you to creative writing through the practice of mindfulness—learning how you can closely observe the 7 senses (yes, 7!) and draft unique writing from them—writing that reflects your unique sensibilities rather than cliches. Through poetry, fiction, and nonfiction, we will focus on the beginnings of short drafts you can continue expanding and revising after our class ends. We’ll emphasize the powers of observation, experimentation, and revision as core creative practices. Complete each prompt and assignment to the best of your ability.
- Instructor: Yona Harvey
In terms of subject matter, we'll be writing about art, music, perfume, fashion, and especially food. In the first weeks of the class we'll work on the mechanics of description and style. In the latter weeks, we'll apply those skills by availing ourselves of campus resources - the museum of art, the botanic garden, places to eat, to test our skills against real life source materials.
While we will be reading texts from writers who are masters of sense description each week, our real emphasis will be on practice. We'll build skills with exercises and short assignments in class and out of it, remembering always that simply by being alive we have the tools we need to build powerful stories and memorable worlds.
- Instructor: T. Chang