Smith College's Moodle
Search results: 285
- Instructor: Jennifer Guglielmo
- Instructor: Miriam Neptune
- Instructor: Floyd Cheung

This is a self-guided course to learn the basics of the learning management system used at Smith College: Moodle. Below the screenshot you should see an option for self-enrollment, which will add you to the course as a student. Select the 'Enroll me' button and let's get started! If you have any trouble self-enrolling or do not see the button to enroll, you can email Abril at dnavarro@smith.edu.
This course is the second half of a two-semester sequence introducing Modern Hebrew language and culture, with a focus on equal development of the four language skills: reading, writing, speaking, and listening. By the end of the year, students will be able to comprehend short and adapted literary and journalistic texts, describe themselves and their environment, and express their thoughts and opinions. Learning will be amplified by use of online resources (YouTube, Slack, tutorials, etc) and examples from Hebrew song and television/film. This course is available to Mount Holyoke students though a simultaneous video-conferencing option.
The in-class portion of the course will be heavily based on active listening and speaking practice; you can expect to spend the vast majority of class time speaking with and listening to your classmates.
May only be taken S/U with approval of the instructor and the director of Jewish Studies.
The JUD 101-102 sequence is required for Smith students wishing to study abroad in Israel.
- Instructor: Joanna Caravita

How did the feminist movement impact Judaism and Jewish self-identity, and how and why did Jews play a formative role at key moments in feminist history? Discussions include feminist midrash, ritual innovation and contested issues such as divorce, women's religious leadership and LGBTQ Jews in religious law and practice. Experiential learning is emphasized through lectures from guest speakers, work in the Smith archives which houses the papers of several groundbreaking American (Jewish) feminists and visits to local sites. A prior course in Jewish Studies is helpful, but not required.
- Instructor: Sari Fein

Learning Goals:
- To introduce students to Latin America through the study of key cultural, political, environmental, economic and social issues.
- To familiarize students with the histories and geography of Latin America, the Caribbean, and Latino/a communities in the United States.
- To develop awareness of global and hemispheric interdependencies and connections across borders of politics, culture, economics, ecologies, ideas and power.
- To cultivate an awareness and appreciation of the diversity of perspectives in fields and disciplines engaged in the study of Latin America, the Caribbean and the Latino/a U.S.
- To introduce students to Latin American and Latino/a Studies faculty at Smith through their areas of teaching and research.
- Instructor: Verónica Dávila Ellis (they/them)
- Instructor: Dana Leibsohn
- Instructor: Reid Bertone-Johnson
- Instructor: Reid Bertone-Johnson
- Instructor: Reid Bertone-Johnson
About this course
What you'll learn
- Explore some of the important theoretical foundations, empirical findings, research methods, and applications of political psychology
- Apply psychological theories to understand people’s motivations for becoming politically active
- Analyze primary source materials and learn why archival preservation is critical for the visibility of women's stories
- Instructor: Tammy Lockett
- Instructor: Ileana Vasu
(African Popular Music)
Smith College
Spring 2021
Instructor: Bode Omojola, PhD.
(Five College Professor)
Time: 10:15 am ET-12:10 pm ET
Venue: Remote
Office Hours: 12:15 pm ET-1:15 pm ET
Course Description
This course focuses on twentieth-century African popular music. It examines musical genres from different parts of the continent, investigating their relationships to the historical, political, and social dynamics of their respective national and regional origins. Musical idioms like highlife, soukous, kwaito, afrobeat, hiplife, and afrobeats will be studied to assess the significance of popular music as a creative response to social and political developments in colonial and postcolonial Africa. The course also discusses the growth of hip-hop music in selected countries by exploring how indigenous cultural tropes have provided the basis for its local adaptation. The themes explored in this class also include music and identity; music, politics, and resistance; cosmopolitanism, neo-traditional forms, appropriation, and the politics of musical nostalgia.
- Instructor: Olabode Omojola
Course No: MUS 220
Instructor: Bode Omojola, Ph.D.
Meeting Venue: Sage Hall 215
Time: TuTh: 10:30-11:50am
Office Hours: TuTh: 12-1pm (Room TBD)
E-mail: bomojola@smith.edu or: bomojola@mtholyoke.edu
Course Description
This course concentrates on the lives and music of selected West African musicians. Departing from ethnographic approaches that mask the identity of individual musicians and treat African societies as collectives, this course emphasizes the contributions of individual West African musicians whose stature as master musicians is undisputed within their respective communities. It examines the contributions of individual musicians and ensembles to the ever continuous process of negotiating the boundaries and ambience of African musical practice. Individuals and groups covered this semester include Angélique Kidjo (Benin), Fela Anikulapo-Kuti and Babatunde Olatunji (Nigeria), and Dzigbordi women (Ghana). The variety of artistic expressions of selected musicians also provides a basis for examining the interrelatedness of different African musical idioms, and the receptivity of African music to non-African styles.
- Instructor: Olabode Omojola
With this course, students will explore composing for and performing with laptop orchestra, focusing on topics such as sound synthesis, software-based digital instrument design, live audio processing, and gain practical skills in group composing, concert performance, and computer music programming.
Students will be challenged to design and implement their own laptop-mediated musical instruments, interpret graphic and text based scores, program sounds, and perform as a group. Regular in-class rehearsals and performances will culminate in a final concert showcasing the ensemble's work. This course is ideal for students interested in exploring music technology, group improvisation, and studying historical and contemporary approaches to musical composition and performance.
- Instructor: Kelley Sheehan
- Instructor: Jonathan Hirsh
- Instructor: Amanda Huntleigh
- Instructor: Ensembles Manager
- Instructor: Sarah Paquet
- Instructor: Jonathan Hirsh
- Instructor: Amanda Huntleigh
- Instructor: Ensembles Manager
- Instructor: Reka Peterson