- Instructor: Tyler Kynn
Smith College's Moodle
Search results: 785
About this course
What you'll learn
- Explore some of the important theoretical foundations, empirical findings, research methods, and applications of political psychology
- Apply psychological theories to understand people’s motivations for becoming politically active
- Analyze primary source materials and learn why archival preservation is critical for the visibility of women's stories
- Instructor: Tammy Lockett
W
elcome to MTH 153! We're going to be learning about discrete mathematics this
semester, which means that we get to talk about a variety of different
subjects like combinatorics, number theory, and graph theory. We're also
going to be talking about mathematical logic and proof-writing, and
spending some time learning to typeset math using LaTeX code.
Looking forward to working with you all!
- Zach
- Instructor: Zachary Winkeler
- Instructor: Christophe Golé
- Instructor: Christophe Golé
- Instructor: Candice Price
- Instructor: Christophe Golé
(African Popular Music)
Smith College
Spring 2021
Instructor: Bode Omojola, PhD.
(Five College Professor)
Time: 10:15 am ET-12:10 pm ET
Venue: Remote
Office Hours: 12:15 pm ET-1:15 pm ET
Course Description
This course focuses on twentieth-century African popular music. It examines musical genres from different parts of the continent, investigating their relationships to the historical, political, and social dynamics of their respective national and regional origins. Musical idioms like highlife, soukous, kwaito, afrobeat, hiplife, and afrobeats will be studied to assess the significance of popular music as a creative response to social and political developments in colonial and postcolonial Africa. The course also discusses the growth of hip-hop music in selected countries by exploring how indigenous cultural tropes have provided the basis for its local adaptation. The themes explored in this class also include music and identity; music, politics, and resistance; cosmopolitanism, neo-traditional forms, appropriation, and the politics of musical nostalgia.
- Instructor: Olabode Omojola
With this course, students will explore composing for and performing with laptop orchestra, focusing on topics such as sound synthesis, software-based digital instrument design, live audio processing, and gain practical skills in group composing, concert performance, and computer music programming.
Students will be challenged to design and implement their own laptop-mediated musical instruments, interpret graphic and text based scores, program sounds, and perform as a group. Regular in-class rehearsals and performances will culminate in a final concert showcasing the ensemble's work. This course is ideal for students interested in exploring music technology, group improvisation, and studying historical and contemporary approaches to musical composition and performance.
- Instructor: Kelley Sheehan
- Instructor: Micaela Baranello
- Instructor: Ellen Redman
- Instructor: Ellen Redman
- Instructor: Ellen Redman
- Instructor: Ellen Redman
- Instructor: Ellen Redman

